Edited by Robert F. Barsky. Over the 15 years of its existence, AmeriQuests has evolved to address new challenges in the realm of border crossings. Along the way, we have become an important venue for book reviews of new works that describe the challenges facing vulnerable migrants as they seek protection across borders of all kinds, including geographical boundaries, the regions that exist between mental states, and the disciplinary boundaries that sometimes impede the transmisson of useful knowledge. This has led us into the realms of art and culture, with the idea that we can often only go so far with judicial or policy solutions, and sometimes we need to look to shift deeply-held attitudes by fictional or symbolic representations. As such, we are creating a new Contours Collaboration space alongside of MIT's Knowledge Futures and PubPub. You can follow our progress at: (https://contours.pubpub.org)
AmeriQuests has also broadened its author base, and for this issue, we are featuring for the first time ever a collection of works written by advanced-level students. The quality of their work attests to the great potential of each of them, and speaks to the power of work being done by young authors.
The cover art was photographed at the Tate Modern Museum by Victoria Herring, and the subject matter is consistent with the aesthetic border-crossing work that AmeriQuests promotes. The piece, by Yinka Shonibare, consists of a huge room filled with thousands of books with the names of refugees who chose to seek protection in Britain, as well as the names of those who oppose immigration. Some of the book spines are blank too, suggesting the full refugee story is yet to be written.