Abstract
Through a broad discussion on the full monumental program at Naranjo during the reigns of Lady Six Sky and her son K'ak Tiliw Chan Chaak, this article provides new information about the role of women in Late Classic Maya civilization (AD 600-900). A detailed exploration of the distinct trends in the monumental program from 682-741 AD supports the primary argument for Lady Sky Six’s underlying importance in ritual representation. The author finds considerable evidence that suggests the transfer of power from mother to son during the latter years of Lady Sky Six. A concluding discussion of Naranjo focuses on spatial analysis of the monuments spread across the site core in relation to dual-gendered ritual space, as well as contrasting martial and mythological imagery.
