AmeriQuests is a forum for writing and research about real and metaphorical quests towards “America,” defined as either an absolute but an achievable objective, or as some place in the Americas. A peer-reviewed, multi-and inter-disciplinary e-journal, AmeriQuests was founded by Robert Barsky to contribute in original and creative fashions to the humanities, the social sciences, education, law, medicine, business and social justice. Contributions may focus on questions of dislocation, relocation, displacement, homelessness, American dreams and border crossings of all sorts, from the geographical and the social to the psychological. AmeriQuests also features special issues, student issues, book reviews and discussion sections to add to its immediacy, its allure and its relevance. Submissions are accepted on an on-going basis in English, French, Portuguese and Spanish.
Vol 10, No 1 (2013): The Crises of Capitalism This issue features two seminal works, by Marc Angenot and Julius Grey, that contribute to and expand the field of literature and law by bringing to bear historical and political perspectives from two of Canada's most powerful and crucial voices. In addition, the issue continues AmeriQuests longstanding work in the Americas, in the publication of new fiction, and an on-going commitment to reviewing new titles relating to the missions of the journal.
Vol 9, No 1-2 (2012): The Legacies and Futures of the Humanities in North America and Beyond
Vol 8, No 1 (2011): Approaches to the Americas This issue features works that review and assess where we are in Comparative Literary Studies and, through a wide array of book reviews, offers an overview of current approaches to postcolonial studies, and laws relating to obscenity.
Volume 7, number 2, "Dance Across Americas" and "The Beat Generation's French Connection. "Dance Across Americas" features a series of three articles on different aspects of dance in the Americas. Guest Editor: Marsha D. Barsky. Inspired by the Beat Generation, this issue also features a group of creative works that speak to the various intersections the Beat writers had with France and with French writers, edited by Robert Barsky. Finally, the growing book review section is devoted to recent works on the intersection between literature and the law.
Volume 7, Number 1. “Radicalism in Quebec and the Americas.” This special issue, edited by Robert Barsky, aims to recall, assess and promulgate ideas of radicalism in the Americas, with a special focus on the particularities of Quebec. This issue focuses upon the idea of "America" as an absolute but unachievable objective, and therefore it contains some creative work that expresses ideals and dreams for worlds imagined in time, space and imagination. This issue is dedicated to the memory of Howard Zinn, with whom we communicated about the issue in the course of its preparation, and who died just as we were going to press. We deeply regret his passing.
Volume 6, Number 1. The cover art titled "Big Smoke"© (artist Charly Palmer) depicts - Jack Johnson, the first African American heavyweight boxing World Champion in his famous fighting pose. Before and since Johnson's victory in 1908, Black Masculinity has been socially constructed many times over. From villain to hero, from margin to center and back on ideas of manhood, fatherhood, sexuality, political leadership, violence, popular culture, sports, music, education, and psychology, this issue, "On Manliness: Black American Masculinities" Edited by Gilman W. Whiting and Thabiti Lewis, is a timely collection that brings together authors from numerous academic disciplines to investigate Black manhood in 2008, particularly in light of Election 2008. For more information on other works by the artist visit:
Volume 5, Number 2. In War Inc. Seymour Melman sought to introduce a new generation of readers to his lifelong critique of the operation of the war economy in the United States, and the ongoing process of deindustrialization that has destroyed much of America’s once formidable manufacturing industries. Aimed at a wide variety of readers, the book draws on and synthesizes Professor Melman’s prior research and books, especially Pentagon Capitalism, The Permanent War Economy, and Our Depleted Society. It also extends some of the arguments and research of his major 2001 study, After Capitalism: From Managerialism to Workplace Democracy.
*For those familiar with Melman's work and interested in discussing it, or its relation to the life and work of Zellig Harris, please contact email@example.com
Volume 5, Number 1. This special issue is devoted to comparative literary studies, and features examples of such work in the Americas setting, as well as a special commentary section which includes contributions from some of its leading practitioners. Readers are invited to comment on articles, or offer up their own sense of comparative literary work; a discussion section will be mounted to create dialogism within and beyond this issue.
Volume 4, Number 1. This open issue includes work by Arnold Reisman, who notes in his article that Felix Haurowitz, the great biochemist, survived extermination because, starting in 1933, Turkey offered refuge for many intellectuals who were fleeing the Nazis. America was out of reach for the likes of Haurowitz because of restrictive immigration laws and widespread anti-Semitic hiring and gender bias at its universities.
Volume 3, Number 2, "Quests Beyond the Ivory Tower: Public Intellectuals, Academia and the Media" Edited by Saleem Ali and Robert Barsky, this special issue of AmeriQuests is comprised of papers and commentaries which were first presented to the MIT Communications Forum entitled “Public Intellectuals and the Academy.” The authors have aggrandized and edited their respective contributions with an eye to creating a collection that approaches this complex subject from a range of perspectives, East and West.
The image for Volume 3, Number 1, the special issue on "Quebec and Canada in the Americas," is the cover of the Refus globale manifesto: "In 1948, Paul-Emile Borduas, then a little-known painter on the international scene, living in the Province of Quebec, Canada, together with sixteen friends and students, proclaimed publicly a new era in terms of art and social attitudes by publishing a manifesto that they called Refus global." [excerpt from "Borduas -- Then and Now"]
This photo "Let my mami drive legally" for the Volume 2, Number 1, From the Culture of Borders to Border Cultures issue was taken by Chalene Helmuth in Nashville, TN during the immigration demonstrations of April 2006. The Commentary section of this issue contains her description of a recent conference on "The New Latino Immigration".
The cover image for Volume 1, Number 1, 'The Paycheck,' is excerpted from "The Migrant Project: Contemporary California Farm Workers," a photographic and text exhibit created by Rick Nahmias. Recorded in over forty towns across California, the exhibit profiles the stories and lives of the people who supply over half the nation's produce. For more information on the artist, image, or exhibit visit rcnphoto.com. © Rick Nahmias. All Rights Reserved.
Forthcoming issue on Modernism in Québec
|The Department of French and Italian, W.T. Bandy Center for Baudelaire, and Modern French Studies at Vanderbilt University hosted a major international conference in April, 2013. The proceedings, including audiovisual recordings of the authors, are presently being assembled for publication in the next issue of AmeriQuests, Fall 2013.|
Vol 10, No 1 (2013): Approaches to Literature, Law and the Crises of Capitalism Within and Beyond the Americas
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