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This essay considers José Corti’s early issues of Du Cinéma as part of an historical avant-garde complex that, in tandem with literary experiments, shaped another historical approach to early cinema criticism and theory by looking beyond cinephilia as a structuring paradigm. Identifying fear, rather than love, as a powerful avant-garde discourse, I suggest that Du Cinéma and especially the avant-garde writer André Delons forwarded a negative dialectical approach to cinematic thought, inquiry, and research. By investigating the enquête or questionnaire as a central research method in this avant-garde tradition, I reorient our understanding of Du Cinema's claim to the cinema's mutability, and its ability to reveal the limits of knowledge.
cinema; cinephilia; cinephobia; Surrealism; Le Grand Jeu; André Delons; José Corti
How to Cite
WILD, Jennifer J.. 'Are you Afraid of the Cinema?': Du Cinéma and the Changing Question of Cinephilia and the Avant-Garde (1928-1930). AmeriQuests, [S.l.], v. 12, n. 1, sep. 2015. ISSN 1553-4316. Available at: <http://ejournals.library.vanderbilt.edu/index.php/ameriquests/article/view/4148>. Date accessed: 23 oct. 2018. doi: https://doi.org/10.15695/amqst.v12i1.4148.