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| Introduction: Re-Considering Comparative Literary Studies | | |||
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| The Renaissance Letter and the Encounter with the "New" World | | |||
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| The Tramp in American Literature, 1873–1939 | | |||
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| Along the Banks of the Amazon: Ethnicity and Crosscultural Imaging in Jules Verne's La Jangada | | |||
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| L’image sexuelle des femmes noires et l’américanité des Africains-Américains dans la seconde moitié du 19e siècle | | |||
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| American Incunabula: 'Grotesque Genesis' and the Genealogical Genre | | |||
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| Comparative Literature, Postcolonial Studies, World Literature, and the Revised Rise of the Novel | | |||
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| The Foci of Comparative Literature | | |||
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| Many Identities, One Nation: The Revolution and Its Legacy in the Mid-Atlantic | | |||
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| Book Review: Brazil through the Eyes of William James: Letters, Diaries, and Drawings, 1865-1866. Ed. Maria Helena P.T. Machado. Cambridge: Harvard University Press, 2006. | | |||
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| A Review of Studying the Jew: Scholarly Antisemitism in Nazi Germany by Alan E. Steinweis. Cambridge: Harvard University Press, 2006. 160p. | | |||
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| Review of 'The First Word' by Christine Kenneally | | |||
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